Sans Faceted Afwo 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, signage, packaging, industrial, athletic, western, poster, impact, ruggedness, machined look, faceted, angular, chamfered, blocky, condensed.
A compact, heavy display face built from straight strokes and clipped corners, replacing curves with planar facets and hard joins. The forms are tall and tightly set, with squared terminals and frequent chamfering at outer corners and inner apertures, creating a cut-metal silhouette. Counters are small and geometric, and the overall construction reads as sturdy and monolithic, with simplified details in letters like C, S, and G and sharp notch-like diagonals appearing where curves would normally be. Numerals follow the same faceted logic, keeping a uniform, impact-forward rhythm across the set.
Best suited to short, high-impact settings such as headlines, posters, bold branding marks, team or event graphics, and attention-grabbing signage. It can also work on packaging or labels where a rugged, industrial voice is desired, especially when set with generous tracking and ample size.
The tone is forceful and utilitarian, evoking signage, stenciled equipment labels, and assertive headline typography. Its angular cuts add a rugged, machined character that can also feel sporty and arena-like, with a hint of old-west poster toughness when set large.
The design appears intended to deliver maximum visual punch through dense, condensed letterforms and a distinctive faceted construction. By substituting curves with chamfered planes and maintaining a consistent blocky rhythm, it aims to feel engineered, tough, and immediately legible in display contexts.
Uppercase and lowercase are clearly differentiated, but both maintain a consistent, squared-off construction that prioritizes bold silhouette over fine detail. The condensed proportions and tight internal space suggest it will hold its character best at larger sizes where the facets and notches can read cleanly.