Sans Superellipse Erfa 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alfaqix Algorithm', 'Alfaqix Diode', 'Alfaqix Ellipsoid', and 'Alfaqix Servo' by Typodermic (names referenced only for comparison).
Keywords: sports branding, tech branding, gaming ui, poster headlines, packaging, sporty, techy, dynamic, futuristic, confident, speed, modernity, display impact, geometric cohesion, brand voice, rounded, oblique, compact, streamlined, soft-cornered.
A rounded, oblique sans with a streamlined, superelliptical construction and squared-off curves. Strokes are smooth and even, with softened corners and subtly flattened bowls that read more like rounded rectangles than circles. Terminals are clean and mostly sheared by the slant, producing a forward-leaning, aerodynamic rhythm, while counters stay open enough to keep the forms clear in display sizes. Numerals and capitals share the same compact, engineered geometry, emphasizing stability over calligraphic modulation.
This face is well suited to branding that needs speed and modernity—sports identities, automotive or tech marks, esports/gaming graphics, and energetic headline work. It can also perform well in UI accents, labels, and packaging where compact, rounded geometry and a strong slanted stance help create a contemporary, high-impact look.
The overall tone feels fast, modern, and performance-oriented, with a sleek industrial edge. Its rounded-square shapes soften the voice slightly, keeping it friendly while still reading as technical and assertive.
The design appears intended to merge a geometric, superellipse-driven skeleton with an oblique, high-energy stance for contemporary display use. It prioritizes a cohesive rounded-rectilinear system and clear silhouettes that communicate motion and modern engineering.
The slant is consistent across uppercase, lowercase, and figures, giving lines a continuous motion. Several round letters show flattened sides and squarish shoulders, reinforcing the geometric system; the result is especially distinctive in the O/Q-style forms and the more squared curves of e/c/s.