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Sans Normal Mylir 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Gasco' by Joelmaker, 'Ramston' by Katatrad, 'Belle Sans' by Park Street Studio, and 'Fuse V.2' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, impactful, sporty, modern, attention, clarity, approachability, brand impact, display use, rounded, sturdy, punchy, compact, high-ink.


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A heavy, rounded sans with compact proportions and strongly filled counters. Curves are smooth and near-circular, while terminals and joins read clean and blunt, giving the forms a sturdy, uniform silhouette. The lowercase is straightforward and built for clarity at large sizes, with single-storey shapes where expected (notably the "a" and "g") and a broad, stable stance. Numerals and capitals share the same dense, simplified construction, producing a consistent, high-contrast-in-mass look that holds together in blocks of text.

This font is well suited to headlines, posters, and display-driven branding where strong visual presence is needed. It can work effectively on packaging and signage thanks to its simplified, sturdy forms and clear silhouettes. For longer passages, it’s most comfortable at larger sizes or in short, emphatic bursts where its dense texture becomes an asset rather than a constraint.

The overall tone is bold and upbeat, projecting confidence without feeling sharp or aggressive. Its rounded geometry adds approachability, while the dense weight and compact shapes create a loud, attention-grabbing voice suited to energetic messaging. The result feels contemporary and practical, with a slightly playful, sporty edge.

The design appears intended as a bold, rounded workhorse for modern display typography—prioritizing impact, consistency, and friendly geometry. Its simplified construction and heavy color suggest an emphasis on legibility at a distance and strong brand recognition in prominent applications.

In the sample text, the tight internal spaces and broad strokes create strong color and presence, especially in headlines and short phrases. Letterspacing appears naturally compact, so it reads best when given breathing room in layout rather than being tightly tracked. The shapes maintain a consistent rhythm across uppercase, lowercase, and figures, supporting cohesive typographic blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸