Font Hero

Free for Commercial Use

Slab Contrasted Ugda 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Diverda Serif' by Linotype and 'Kate Slab' by Monday Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, confident, editorial, collegiate, retro, impact, stability, readability, heritage, blocky, robust, bracketed, ink-trap hints, high-ink.


Free for commercial use
Customize the font name

A sturdy slab-serif with heavy, rectangular serifs and clearly bracketed joins that soften the slab transitions. Strokes are thick with visible (but not extreme) contrast, and counters stay fairly open for a dense, high-ink design. The letterforms read as compact and weighty, with squared terminals, firm horizontals, and a slightly condensed feel in some capitals balanced by wider rounds (notably O/Q) that add a bit of irregular rhythm. Lowercase shapes are straightforward and workmanlike, with short, strong arms and a consistent serif treatment that keeps lines of text visually locked together.

Best suited to headlines, titles, and short blocks of copy where a strong, sturdy voice is needed. It can also work well for branding and packaging that wants a dependable, heritage-leaning feel, as well as signage and labels where the slab structure helps maintain clarity at larger sizes.

The overall tone is assertive and pragmatic—more “pressroom” and “workwear” than refined book serif. It carries a familiar American editorial/collegiate energy, suggesting signage, headlines, and stamped or poster-like messaging where impact matters more than delicacy.

The design appears intended to deliver maximum impact with a solid slab-serif backbone: thick strokes, stable proportions, and enough contrast and bracketing to keep the forms readable and controlled. It aims for a classic, no-nonsense display serif look that remains functional in real-world settings.

In text, the heavy slabs create pronounced horizontal bands, producing a strong typographic color. The figures are bold and simplified, suited to display settings where clarity and presence are key. The Q’s tail and the broad serifs contribute to a distinctive, slightly vintage silhouette without becoming decorative.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸