Sans Normal Bomel 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FS Irwin' by Fontsmith, 'Rooney Sans' by Jan Fromm, and 'Sana Sans' by Latinotype (names referenced only for comparison).
Keywords: ui text, editorial, branding, wayfinding, presentations, neutral, modern, clean, friendly, straightforward, everyday readability, neutral branding, functional clarity, system typography, grotesque, monolinear, open apertures, large counters, crisp terminals.
This typeface is a clean, monolinear sans with rounded bowls and mostly straight, unbracketed terminals. Proportions feel balanced and broadly even, with generous counters and open apertures that keep letters from closing up in text. Curves are smooth and circular in character (notably in C, O, Q, and G), while vertical stems stay steady and consistent. The lowercase shows a single-storey a and g, a compact, direct r, and a simple t with a short crossbar, all contributing to a clear, contemporary rhythm. Numerals are straightforward and readable, with an open-top 4 and rounded forms in 0, 6, 8, and 9.
Well-suited to interface copy, product and corporate communications, and general-purpose editorial use where consistent readability is needed. Its clear letterforms also make it a solid choice for signage and presentation materials, and for brand systems aiming for a modern, understated voice.
The overall tone is neutral and modern, with a mild friendliness from its rounded forms and open shapes. It communicates clarity and practicality rather than ornament, making it feel approachable without becoming playful.
The design appears intended as a versatile, general-purpose sans that prioritizes clarity and even texture across sizes. Its simplified lowercase structures and open forms suggest a focus on legible, contemporary text setting with a restrained, professional presence.
Spacing and internal white space read as comfortable, supporting legibility in continuous text. The capital forms are clean and stable, while the lowercase introduces slightly softer, more human proportions that help the font feel less rigid in paragraphs.