Sans Superellipse Hamiz 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype, 'Kaisar' by Hazztype, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, 'Sans Beam' by Stawix, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, ui, signage, posters, modern, tech, confident, clean, friendly, clarity, impact, modernity, systematic, approachable, rounded, square-ish, geometric, blunt, compact.
A heavy, geometric sans built from rounded-rectangle (superellipse) forms and blunt terminals. Curves are wide and squared-off rather than purely circular, with consistent stroke thickness and minimal modulation. Counters are generous and open, corners are smoothly radiused, and joins stay crisp, giving the design a sturdy, engineered feel. Proportions lean broad with stable, horizontal stress; numerals echo the same squarish rounding and simple, blocky construction.
Best suited to headlines, logos, packaging, and interface typography where a robust, contemporary sans can carry presence at medium to large sizes. The open counters and simple shapes also support clear wayfinding and short-form copy in product or tech contexts.
The overall tone is contemporary and utilitarian with a friendly edge from the rounded corners. It reads as confident and straightforward, projecting a tech-forward, product-oriented personality rather than editorial sophistication.
The design appears intended to merge a geometric, rounded-rectangle construction with strong weight for immediate legibility and a distinctive, modern voice. It aims for a clean system of forms that stays consistent across uppercase, lowercase, and numerals while maintaining a compact, purposeful rhythm.
The glyph rhythm favors clear silhouettes and strong horizontal/vertical structure, producing even texture in paragraphs. Round letters like O/Q and bowls in B/P/R maintain a consistent superelliptical logic, while diagonals (A/V/W/X/Y) remain bold and uncluttered for high-impact shapes.