Sans Superellipse Logoh 6 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'Fairweather' by Dharma Type, 'Tungsten' by Hoefler & Co., 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, retro, condensed, utilitarian, punchy, space-saving, high impact, systematic, brandable, display-first, rounded corners, soft terminals, pill-shaped, monoline, compact.
A compact, condensed sans with monoline strokes and extensively rounded corners that push many forms toward pill and rounded-rectangle geometry. Curves are tight and corners are softened rather than sharp, giving counters a squarish, superelliptical feel in letters like O, D, and P. Vertical strokes dominate, horizontals are short, and joins stay clean, producing a tall, columnar rhythm. The spacing is economical, with narrow apertures and generally closed shapes that keep the overall texture dense and even.
Best suited for headlines, posters, packaging, and signage where a dense, condensed voice is an advantage and the rounded-rect styling can become part of the visual identity. It can also work for logos and wordmarks that need a compact footprint and a sturdy, contemporary-industrial feel.
The tone reads functional and industrial with a clear retro undercurrent—like labeling, wayfinding, or equipment graphics—tempered by friendly rounding. Its compressed proportions and heavy presence feel assertive and attention-getting, while the softened terminals keep it from becoming harsh.
Likely intended to deliver maximum impact in tight horizontal space while maintaining a distinctive rounded-rectangle personality. The consistent corner rounding and monoline construction suggest a focus on bold, repeatable forms that reproduce cleanly for display and labeling contexts.
The design maintains a consistent rounded-rect logic across caps, lowercase, and numerals, which helps it look cohesive in headlines and short bursts of text. In longer lines the dense texture and narrow apertures create a strong horizontal banding, emphasizing vertical rhythm over open, airy readability.