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Free for Commercial Use

Sans Superellipse Gimor 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Uni Neue' by Fontfabric, 'Rasane' by Locomotype, 'Environ' by MADType, and 'Neoverse Sans' by Sentavio (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, friendly, confident, modern, playful, techy, high impact, approachable modernity, geometric branding, signage clarity, rounded, blocky, soft-cornered, compact, geometric.


Free for commercial use
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A heavy, geometric sans built from rounded-rectangle (superellipse) structures with soft corners and broadly even stroke thickness. Counters are compact and squarish, with generous rounding that keeps the color smooth and consistent. Terminals are blunt and clean, curves are controlled rather than calligraphic, and joins stay sturdy at large sizes. Uppercase forms read wide and stable, while lowercase keeps a simple, compact construction with single-storey shapes where applicable and short, sturdy arms.

Best suited to display roles such as headlines, posters, branding, and packaging where its bold mass and rounded geometry can anchor a layout. It also works well for signage and UI moments that need high impact with a friendly edge, particularly at medium-to-large sizes.

The overall tone is bold and approachable: sturdy enough to feel authoritative, but softened by rounded geometry that reads friendly and contemporary. It carries a slightly retro-tech flavor—like industrial signage made more welcoming—making it feel energetic without becoming chaotic.

The design appears intended to deliver maximum presence and legibility with a softened, geometric voice—pairing chunky forms with rounded corners to create an assertive but approachable display sans.

Distinctive rounded-rect counters and apertures give the face a strong, recognizable texture, especially in letters like C, G, S, and the numerals. The punctuation and narrow internal spaces can look tight in dense settings, so line spacing and tracking may benefit from a touch of extra room in longer text.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸