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Free for Commercial Use

Serif Flared Hagab 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'Mr Eaves XL Modern' by Emigre, 'ITC Stone Sans II' by ITC, 'Corpid' by LucasFonts, and 'Schnebel Sans ME' and 'Schnebel Sans Pro' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, sporty, retro, assertive, dynamic, playful, impact, motion, display, distinctiveness, flared, wedge serif, forward slant, bracketed, ink-trap like.


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A heavy, forward-leaning serif with flared, wedge-like terminals that broaden out from the stems. The design emphasizes sturdy verticals and rounded bowls, with softly sculpted joins and a slightly calligraphic, brush-like modulation that stays consistent across the set. Serifs are integrated and tapered rather than slabbed, giving edges a chiseled, aerodynamic finish. Counters are fairly open for the weight, and the overall rhythm feels energetic, with compact curves and crisp, angled cuts on diagonals and cross-strokes.

Best suited to short-to-medium display settings where impact matters: headlines, event posters, sports or lifestyle branding, and packaging. It can also work for large pull quotes or signage, where the forward slant and flared terminals help create momentum and visibility.

The tone is bold and kinetic, combining a sporty, poster-ready presence with a hint of vintage display typography. Its italic slant and flared endings create a sense of motion and confidence, reading as upbeat and attention-seeking rather than formal.

The design appears intended to deliver maximum emphasis and movement while retaining a recognizable serif identity. By combining a strong italic posture with flared, wedge-like finishing, it aims for a distinctive, high-energy display voice that stands out in branding and editorial feature typography.

Uppercase forms look robust and compact, while lowercase keeps a friendly, rounded texture with strong emphasis on stroke endings and entry/exit angles. Numerals match the same muscular, italicized stance, maintaining a cohesive, headline-first personality across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸