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Free for Commercial Use

Sans Normal Lyrug 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mundo Sans' by Monotype; 'Mato Sans' by Picador; 'Agent Sans', 'Akagi', and 'Akagi Pro' by Positype; 'NuOrder' by The Northern Block; and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, logotypes, sporty, upbeat, assertive, playful, retro, impact, energy, friendliness, brand voice, display emphasis, slanted, rounded, punchy, compact, bouncy.


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A very heavy, slanted sans with rounded, swollen curves and tightly closed counters that create a dense, compact texture. Strokes are broadly even with soft joins and minimal modulation, giving letters a molded, almost cartoon-solid feel rather than a sharp geometric one. The forms lean forward consistently and show slightly irregular, humanized shaping—especially in diagonals and terminals—producing lively rhythm in both caps and lowercase. Numerals are bold and sturdy with simple silhouettes that hold their shape well at display sizes.

Best suited to posters, headlines, packaging, and brand moments that need immediate impact. It works especially well for sports or event-driven graphics, playful product labels, and bold logotypes where the forward slant and rounded mass project energy and confidence.

The overall tone is energetic and forward-moving, with a friendly toughness that reads as sporty and promotional. Its rounded heft and pronounced slant add a playful, extroverted character that feels more casual than corporate, and more vintage-adjacent than minimalist.

The design appears intended as a high-impact display italic: a compact, rounded sans built to feel fast, loud, and approachable. Its softened geometry and consistent forward lean suggest a focus on expressive branding and promotional typography rather than long-form readability.

In text settings, the heavy weight and narrow internal spaces create strong color and impact, while the slant and curved shaping keep lines from feeling rigid. The design favors big, attention-grabbing words and short statements where the chunky rhythm can be appreciated without crowding.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸