Sans Superellipse Kunu 10 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Beachwood' by Swell Type and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, logotypes, posters, sports branding, game ui, futuristic, techy, industrial, sporty, sci‑fi, geometric branding, interface aesthetic, impactful display, modernization, rounded corners, squared bowls, extended, compact apertures, geometric.
A heavy, extended sans with a superelliptical construction: bowls and counters are built from rounded rectangles with softly radiused corners, producing a squared-off, machined silhouette. Strokes are monolinear and blocky, with frequent horizontal terminals and clipped joins that keep forms tight and efficient. Many letters show narrow apertures and inset counters, giving the face a compact internal rhythm despite its wide set; curves tend to resolve into flattened arcs rather than true circles. Numerals follow the same rounded-rectangle logic, with sturdy, stable shapes and minimal detailing.
Best suited to display settings such as headlines, titles, posters, and logo work where its broad footprint and geometric squareness can lead the layout. It also fits interface-style graphics—game UI, tech presentations, or product packaging—where a robust, engineered voice is desirable.
The overall tone is assertive and engineered, evoking sci‑fi interfaces, motorsport graphics, and contemporary tech branding. Its wide stance and squared rounding read as modern and synthetic, with a purposeful, no-nonsense confidence.
The font appears designed to translate rounded-rectangle geometry into a bold, contemporary wordmark style: wide, highly legible at large sizes, and visually unified through consistent radii and squared bowls. The intent feels oriented toward modern branding and interface aesthetics rather than quiet text typography.
The design’s consistent corner radius and squared counters create strong visual coherence across caps, lowercase, and figures. At smaller sizes the tight apertures and inset counters may visually fill in, while at display sizes the superelliptical geometry becomes a defining texture.