Sans Normal Adraz 16 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Grift' and 'Noche' by 38-lineart, 'Mustica Pro' by Alifinart Studio, 'Krong' by Joelmaker, 'Clear Sans' by Positype, 'Neue Reman Gt' by Propertype, and 'Santral' by Taner Ardali (names referenced only for comparison).
Keywords: branding, ui design, editorial, posters, packaging, modern, clean, dynamic, neutral, friendly, modernization, clarity, emphasis, versatility, neutrality, oblique, geometric, rounded, monoline, open counters.
This is an oblique sans with a smooth, geometric construction and largely monoline strokes. Curves read as clean arcs with open counters, while straight stems keep a consistent slant and a steady rhythm across the alphabet. Terminals are mostly plain and cut cleanly, giving the forms a crisp finish without decorative details. Numerals and capitals keep a straightforward, contemporary posture, and the overall spacing feels even and uncluttered in continuous text.
It works well for branding systems that need a contemporary, forward-leaning voice, and for UI or product contexts where a clean oblique sans can add emphasis without feeling ornamental. The steady rhythm also suits short editorial headings, pull quotes, and poster typography where clarity and momentum are both desirable.
The tone is modern and efficient, with a light sense of motion from the slant. It feels approachable rather than formal, balancing technical clarity with a friendly roundness in the bowls and counters. The overall impression is contemporary and neutral, suitable for UI-forward or brand-neutral settings.
The design appears intended to provide a versatile, modern oblique companion for everyday typography—delivering emphasis and motion through slant and geometric clarity rather than contrast or decoration. It aims for legibility and consistency across letters and figures while keeping a streamlined, contemporary look.
The italic angle is consistent across uppercase, lowercase, and figures, and the lettershapes emphasize smooth circular geometry over calligraphic modulation. The design maintains clear differentiation between similar forms through open apertures and simple, direct construction.