Sans Faceted Abdas 1 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Ft Zeux' by Fateh.Lab, 'Corner Deli' by Fenotype, 'Fox Kevin' by Fox7, 'Stallman Round' by Par Défaut, 'Alma Mater' and 'Oscar Bravo' by Studio K, and 'Greeka' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, signage, industrial, athletic, poster, retro, assertive, high impact, geometric rigidity, signage clarity, brand voice, angular, octagonal, blocky, faceted, stencil-like.
A compact, heavy display sans built from straight strokes and clipped corners, with faceted, near-octagonal bowls replacing curves. Terminals are squared and abrupt, counters are tight, and joins stay crisp with a consistent stroke presence. The uppercase reads as rigid and geometric, while the lowercase follows the same constructed logic with simplified forms and minimal contrast, keeping a strong, uniform rhythm across text. Figures and punctuation match the same chamfered geometry, producing a cohesive, hard-edged texture in lines of type.
Best suited for headlines, posters, and logo-style wordmarks where a strong, hard-edged silhouette is an asset. It also works well for signage, labels, and sports or event graphics that benefit from an industrial, constructed aesthetic, especially when set with generous tracking or ample whitespace.
The overall tone is tough and utilitarian, with a sporty, engineered feel that suggests signage, equipment labeling, and bold promotional messaging. Its sharp facets and dense black shapes project urgency and confidence, leaning more mechanical than friendly or editorial.
The design appears intended to deliver maximum visual punch through compressed proportions and planar, chamfered construction, translating curved forms into crisp facets for a bold, mechanical identity. It prioritizes impact and stylistic consistency over delicate detailing, aiming for a distinct display voice that holds up in large, high-contrast applications.
Because the counters are small and many interior shapes are angular, the face gains impact at larger sizes but can feel dark and compact in longer passages. The faceting is consistent across rounds (O, C, G, 0, 8), which helps maintain a strong, recognizable voice when mixing letters and numerals.