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Sans Normal Tynih 4 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Akwe Pro' by ROHH, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports branding, assertive, playful, retro, friendly, punchy, high impact, distinctive branding, display clarity, modern retro, rounded, geometric, ink-trap accents, compact counters, lively rhythm.


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A very heavy, upright sans with rounded, geometric bowls and strongly modeled curves. Strokes are predominantly thick, but with noticeable high-contrast moments and sharp internal cuts that read like ink-trap or wedge-like notches, giving several letters a chiseled, energetic texture. Counters are generally compact and the joins are tight, producing a dense, poster-ready color. The overall construction feels sturdy and modern, with occasional pointed terminals and diagonal cuts adding crispness to an otherwise soft, circular skeleton.

Best suited for short-to-medium display text such as headlines, posters, logos/wordmarks, packaging callouts, and bold editorial openers. It can also work for signage or UI accents where a strong, friendly impact is needed, while long body copy will likely feel heavy due to its dense texture and compact counters.

The font projects confidence and immediacy, balancing friendly roundness with edgy, cut-in details. Its bold voice feels attention-seeking and upbeat, with a slightly retro-display flavor that can read as sporty or editorial depending on setting. The quirky cuts and high-contrast flicks add personality without becoming ornate.

The design appears intended to deliver maximum impact with a geometric, rounded base softened by bold weight, then differentiated through crisp internal cuts that add character and improve visual separation in heavy forms. It aims for a contemporary display sans that feels both approachable and distinctive in branding contexts.

At display sizes the internal notches and sharp cuts become a defining feature and help prevent dark spots in dense areas, while at smaller sizes those details may begin to merge in tight counters. Numerals and capitals appear especially suited to headline use where the strong silhouettes and rhythmic diagonals can carry the layout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸