Sans Superellipse Huduy 13 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Boldine' by Fateh.Lab, 'Neusa Neu' by Inhouse Type, and 'Fatso' and 'McChesney' by T-26 (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, assertive, industrial, retro, playful, punchy, impact, branding, legibility, retro utility, distinctiveness, blocky, rounded, compact, stencil-like, high contrast (ink).
A compact, heavy display sans with rounded-rectangle construction and consistently blunt terminals. Curves are simplified into superellipse-like bowls, with squarish counters and minimal modulation, giving the alphabet a stamped, cut-from-solid feel. The letters are tightly proportioned with short extenders, broad shoulders, and sturdy joins; diagonals (V, W, X, Y) read as thick wedges rather than sharp strokes. Several glyphs show deliberate interruptions or notches—most noticeable in forms like S and some capitals—adding a subtle stencil/cutout character while keeping overall shapes clean and uniform.
Best suited for short, high-impact settings such as posters, bold headlines, logos/wordmarks, packaging, and attention-first signage. Its chunky silhouettes and squared-round bowls hold up well at large sizes, while the compact proportions help set dense titles or labels without feeling spindly.
The overall tone is bold and no-nonsense, with a playful edge from the rounded geometry and occasional cut-in details. It evokes poster typography, sports or packaging headlines, and a slightly vintage, utilitarian sensibility—confident, attention-grabbing, and a bit quirky rather than refined.
The design appears intended to deliver maximum visual weight and immediacy through simplified, superellipse-based geometry and blunt terminals. The added notch/cut details suggest a purposeful display flavor—somewhere between industrial stencil cues and rounded, friendly block forms—aimed at distinctive headline branding rather than neutral text setting.
The round forms (O, Q, 0) are more squarish than circular, and counters stay open and stable at large sizes. The lowercase is sturdy and simplified, with single-storey a and g and a rounded, compact rhythm that keeps word shapes chunky and cohesive. Numerals are similarly block-forward, designed to read as solid silhouettes in headline contexts.