Sans Superellipse Hogut 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dic Sans' by CAST, 'FF Meta Headline' by FontFont, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, 'Diaria Sans Pro' and 'Pancetta Pro' by Mint Type, and 'Secca Art Std' by astype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logotypes, playful, friendly, retro, punchy, casual, bold impact, friendly display, retro flavor, brand presence, signage clarity, chunky, rounded, soft-cornered, sturdy, compact.
A heavy, soft-cornered sans with rounded-rectangle (superellipse) construction throughout. Strokes are thick and even, with broad curves, compact counters, and rounded terminals that keep shapes blunt rather than sharp. The proportions feel slightly condensed in places, with tight apertures on letters like C, S, and e, and a generally blocky rhythm that reads as solid and graphic. Numerals follow the same robust geometry, with wide bowls and minimal contrast.
Best suited to headlines and short bursts of text where its mass and rounded geometry can deliver impact—posters, packaging fronts, brand marks, and playful campaign graphics. It can work for brief subheads or callouts, especially when ample size and breathing room preserve the counters and apertures.
The overall tone is approachable and energetic, with a distinctly retro, poster-like flavor. Its chunky forms and softened corners communicate warmth and humor while still feeling sturdy and confident. The rhythm has a gentle bounce that adds personality without becoming decorative.
The design appears intended to combine maximum visual weight with friendly, rounded geometry for bold display typography. Its superellipse-based forms suggest a goal of creating a cohesive, contemporary-meets-retro look that stays legible at large sizes while projecting warmth and punch.
Curved joins and corners are consistently softened, giving the font a unified, molded look. Several lowercase forms lean toward simplified, sign-friendly shapes (notably the single-storey a and g), reinforcing an informal, display-first impression. In dense settings the tight counters and apertures can make interior spaces feel compact, so spacing and size choices will strongly affect clarity.