Sans Superellipse Abgob 18 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Northpole' by 38-lineart, 'Pragmatik' by Christopher Stahl, 'Linear Grotesk' by Designova, 'Innova' by Durotype, 'Bari Sans' by JCFonts, 'Neue Alter' by OzType., and 'Kongress' by Tipo Pèpel (names referenced only for comparison).
Keywords: ui text, product design, brand systems, signage, headlines, modern, clean, neutral, technical, friendly, versatility, clarity, modernity, system coherence, approachability, geometric, rounded, monoline, open apertures, crisp terminals.
A contemporary sans with a geometric foundation and subtly squared, superellipse-like curves. Strokes are monoline and steady, with crisp, mostly straight terminals and smooth rounding at corners that keeps counters compact but clear. Uppercase forms read simple and architectural, while lowercase maintains straightforward, single-storey shapes (notably the a and g) and open apertures that support clarity. The numerals are sturdy and utilitarian, with a plain, high-contrast-in-shape construction (e.g., simple 1 and open 4) that matches the rest of the set.
It suits interface typography and product communications where a clean, unobtrusive sans is needed, and it scales well from compact UI labels to larger headings. The geometric roundness also makes it appropriate for modern brand systems, wayfinding, and contemporary editorial display where a neutral, structured voice is preferred.
The overall tone is modern and composed, balancing approachability with a technical, product-oriented feel. Rounded geometry softens the voice without turning playful, making it read as neutral, dependable, and contemporary.
The design intent appears to be a versatile, modern sans that blends geometric structure with softened, superellipse curves for a controlled but friendly texture. It prioritizes straightforward letterforms and consistent rhythm to remain legible and adaptable across practical applications.
Spacing appears even and rhythmically consistent in the text sample, with round letters staying stable rather than overly wide. The superellipse influence shows most in C/O/Q and the lowercase bowls, which feel slightly squarer than a pure circle and contribute to a tidy, engineered impression.