Sans Faceted Bete 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Chortler' by FansyType, 'Ft Zeux' by Fateh.Lab, 'Neusa Neu' by Inhouse Type, 'Enaoko' by Marvadesign, 'Chandler Mountain' by Mega Type, 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, athletic, industrial, retro, assertive, tough, maximum impact, sports display, industrial feel, geometric cohesion, retro display, octagonal, chamfered, blocky, compact, monoline.
This typeface is built from heavy, monoline strokes and angular, faceted geometry that replaces curves with straight segments and chamfered corners. Counters and bowls read as octagonal or notched forms, creating a consistent, cut‑metal silhouette across caps, lowercase, and numerals. Proportions are compact with tight internal space, producing strong color in text; diagonals are kept crisp and verticals dominate, giving the design a sturdy, engineered rhythm. The lowercase mirrors the uppercase’s structure, with simplified terminals and squared joins that maintain a uniform, modular texture.
It performs best in short, high-impact settings such as headlines, poster titles, team or event branding, logo marks, and bold packaging callouts. The dense, faceted shapes hold up well at display sizes where the chamfers and notches can be appreciated, while longer passages may feel heavy due to the compact counters and strong overall weight.
The overall tone is bold and hard-edged, evoking sports lettering, industrial stenciling, and retro arcade or varsity aesthetics. Its faceted construction feels mechanical and energetic, projecting strength and impact rather than softness or elegance.
The design appears intended to deliver maximum impact through a simplified, geometric construction that feels fabricated rather than handwritten. By standardizing chamfers and flattening curves into facets, it aims for a cohesive, badge-like look suited to bold messaging and branded displays.
Large apertures are rare; instead, many letters rely on enclosed or nearly enclosed counters and clipped terminals, which amplifies the dense, poster-like presence. Numerals follow the same chamfered logic, with squared turns and angled cuts that keep the set visually cohesive.