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Free for Commercial Use

Sans Superellipse Gemun 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'Classic Grotesque' by Monotype, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, 'Elysio' by Type Dynamic, and 'LFT Etica' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, advertising, sporty, punchy, modern, confident, energetic, emphasis, impact, speed, modern branding, display readability, oblique, rounded, compact, chunky, high-impact.


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A heavy, oblique sans with rounded, superellipse-like curves and broad, low-contrast strokes. The letterforms are compact with smooth, simplified joins and a generally squared-off geometry softened by generous corner rounding. Counters are relatively tight in the densest shapes (like B, P, 8), while rounds (O, Q, 0) stay clean and sturdy. The lowercase is built from similarly weighty components, with a single-storey a and g, a short-armed r, and a straightforward t; figures are bold and blocky with strong silhouettes and even spacing.

Best suited to headlines, banners, posters, and prominent UI or packaging moments where a strong, italicized voice is needed. It can work for short blocks of copy at larger sizes, but its tight counters and heavy color make it most comfortable as a display face rather than for long-form text.

The overall tone is assertive and forward-leaning, combining a sporty slant with friendly rounding. It reads as energetic and contemporary, with a headline-first presence that favors impact over delicacy.

The design appears intended to deliver maximum visual punch in a compact, rounded, forward-leaning silhouette—balancing toughness with approachability. Its simplified, superellipse-based construction suggests a focus on consistent branding and high-impact messaging across print and screen.

Diagonal strokes and terminals are consistently sheared to match the slant, helping maintain rhythm in all-caps and mixed-case settings. The shapes avoid sharp notches or high-detail modulation, keeping the texture dense and uniform in paragraphs while remaining most effective at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸