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Free for Commercial Use

Sans Superellipse Hudis 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Outlast' by BoxTube Labs, 'Gainsborough' by Fenotype, 'Mexiland' by Grezline Studio, 'Neue Northwest' by Kaligra.co, and 'NT Gagarin' by Novo Typo (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, signage, industrial, sporty, retro, techy, punchy, impact, compactness, sturdiness, legibility, brand presence, rounded corners, squared bowls, compact, blocky, condensed.


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A compact, heavy sans with squared-off proportions and generously rounded corners that push many curves toward a rounded-rectangle silhouette. Strokes stay consistent in thickness, producing dense, even color and a firm, poster-like presence. Counters are relatively small and often rectangular, with tight apertures and minimal modulation. The uppercase is sturdy and geometric, while the lowercase follows a simplified, functional construction with short terminals and clipped joins that preserve the blocky rhythm.

This font is strongest in headlines, posters, and branding where compact width and high weight help pack impact into limited space. It works well for sports and fitness graphics, product packaging, labels, and bold wayfinding or short signage where a sturdy, rounded-rect geometry reads quickly. For longer text, it is best reserved for brief callouts or subheads due to the dense counters and tight apertures.

The overall tone feels assertive and mechanical, with a utilitarian clarity that reads as sporty and industrial. Its rounded corners soften the mass slightly, giving a friendly retro-tech flavor rather than a sharp, aggressive one. The tight spacing and compact forms create an energetic, compressed cadence suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual punch in a compact footprint, using uniform stroke weight and softened corners to balance toughness with approachability. Its consistent, rounded-rect construction suggests a focus on bold display utility across contemporary and retro-leaning graphic styles.

Round letters (O, Q, 0, 8, 9) lean toward squarish ovals with softened corners, and the diagonals (K, V, W, X, Y) are steep and compact, reinforcing a condensed, high-impact texture. Numerals are similarly block-built, with simplified shapes and sturdy horizontals that keep them visually consistent with the caps.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸