Sans Superellipse Gybef 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Macarena DT' by DTP Types, 'Hanley Pro' by District 62 Studio, 'Panton' by Fontfabric, 'Mercedes Serial' by SoftMaker, and 'Boxed' and 'Boxed Round' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, sporty, techy, confident, playful, impact, branding, modernity, ruggedness, display clarity, rounded, blocky, compact, square-shouldered, notched.
A heavy, rounded-rectangle sans with compact proportions and squared shoulders. Strokes are thick and even, with large internal counters and smoothly curved corners that keep the forms friendly despite the weight. Many letters show purposeful angular cuts and small notches at joins and terminals, creating a slightly mechanical, engineered rhythm rather than purely geometric softness. The overall color is dense and steady, with strong verticals and simplified construction that stays clear at display sizes.
Best suited for headlines, posters, and short bursts of text where its dense weight and distinctive cut terminals can carry personality. It can work well in logos, packaging, and sports or tech-forward branding, especially when a robust, rounded-square look is desired. For longer passages, it will be more comfortable at larger sizes with generous spacing due to its strong visual color.
The font projects a bold, industrial confidence with a sporty, modern edge. Its rounded-square geometry reads approachable, while the sharp cut details add a technical, almost stenciled attitude. The result feels energetic and contemporary—suited to branding that wants to look tough but not hostile.
The design appears aimed at delivering a sturdy, high-impact sans built from rounded-rectangular forms, then energized with angular cuts for character. It prioritizes instant recognition and a confident tone, balancing friendliness from softened corners with a more engineered feel from the notches and sharp joins.
Round letters like O/Q and numerals such as 0/8/9 emphasize squarish bowls and softened corners rather than true circles. Several glyphs use asymmetric cut-ins and angled terminals that introduce motion and a slightly rugged texture in words, helping headings feel punchy and distinctive.