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Free for Commercial Use

Sans Superellipse Guker 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Futo Sans' by HB Font, 'Prelo Pro' by Monotype, 'Objet' by Pascal Tarris, 'Bitner' and 'Syke' by The Northern Block, and 'Sui Generis' by Typodermic (names referenced only for comparison).

Keywords: headlines, logos, packaging, posters, interfaces, techy, industrial, friendly, confident, retro-futurist, display impact, tech branding, modern utility, approachable geometry, rounded corners, squarish, blocky, geometric, compact counters.


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A heavy, geometric sans with a squarish construction and generously rounded corners, giving many letters a rounded-rectangle/superellipse feel. Strokes are consistently thick with minimal contrast, and terminals tend to end in softened, squared-off shapes rather than sharp points. Curves are controlled and somewhat flattened, producing compact apertures and counters (notably in C, S, e, and s) and a sturdy, engineered rhythm across text. The lowercase is built for solidity and clarity, with single-storey a and g, a short-armed r, and a generally compact, modular silhouette; numerals follow the same rounded-square logic with broad, stable forms.

Best suited to headlines and short-form messaging where its mass and rounded-square geometry can carry visual impact. It also fits logos and brand wordmarks aiming for a modern-industrial or tech aesthetic, and can work well for packaging, signage, and UI/display settings where sturdy, simplified forms are desirable.

The overall tone reads modern and tech-forward while staying approachable due to the rounded edges. It suggests industrial design, digital interfaces, and retro-futurist branding—confident and utilitarian rather than delicate or expressive.

The design appears intended to merge geometric, engineered structure with softened corners for a more approachable presence. Its compact counters and consistent stroke weight prioritize bold clarity and a distinctive, system-like look that stands out in branding and display typography.

Uppercase forms emphasize straight-sided geometry (e.g., O/Q and D) with softened corners, and diagonals (V/W/X/Y) are thick and assertive. The spacing and letter shapes create a dense, punchy texture that remains legible at display sizes, with distinctive, slightly closed-in shapes that add personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸