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Sans Superellipse Pemes 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Acumin' by Adobe, 'CF Blast Gothic' by Fonts.GR, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, retro, punchy, playful, sporty, poster, maximum impact, space saving, retro display, friendly boldness, condensed, blocky, rounded corners, softened, compact.


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A compact, heavyweight sans with a condensed footprint and rounded-rectangle construction throughout. Strokes are consistently thick with minimal modulation, and terminals are softly squared rather than sharply cut, giving counters and apertures a superelliptical feel. Curves tend toward squarish bowls, while joins and corners are generously rounded, producing a sturdy, molded silhouette. Spacing is tight and the overall rhythm is dense, emphasizing verticality and a stacked, sign-ready texture in longer lines.

This design performs best in short, high-impact settings such as headlines, posters, bold labels, and storefront or event signage where density and punch are desirable. It can also suit sporty or retro-leaning branding and packaging that benefits from compact width and heavy color on the page.

The font conveys a bold, energetic tone with a distinctly retro display flavor. Its softened corners temper the mass of the strokes, making it feel friendly and approachable while still loud and assertive. The condensed stance adds urgency and impact, suggesting headline-driven, attention-grabbing messaging.

The likely intention is a condensed, high-impact display sans that prioritizes strong silhouettes and consistent, rounded-rectilinear geometry for immediate readability and a distinctive, vintage-tinged voice. The softened corners and uniform stroke weight aim to keep the texture cohesive and friendly while maximizing visual weight in tight spaces.

Round letters and figures lean toward squarish geometry, with counters that stay compact and fairly closed, boosting ink density at display sizes. The numeral set matches the same blocky, rounded-rectangle logic for a cohesive headline palette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸