Sans Superellipse Ogral 9 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, and 'Amsi Grotesk' and 'Merlod' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, bold, industrial, condensed, retro, assertive, impact, space-saving, branding, clarity, blocky, rounded, compact, sturdy, high-impact.
This typeface uses compact, vertically oriented proportions with heavy strokes and minimal modulation. Curves and counters are built from rounded-rectangle geometry, producing smooth corners and a squared-off, superelliptical feel rather than true circles. Terminals are generally flat and blunt, with closed apertures and tight internal spaces that create a dense, poster-like texture. Capitals are tall and uniform, while the lowercase follows a straightforward, single-storey construction where applicable, keeping the overall rhythm clean and consistent.
Best suited to headlines, posters, and display typography where strong silhouette and compact width help fit long titles into narrow spaces. It also works well for signage and wayfinding-style graphics, as well as packaging and logo marks that want a sturdy, rounded-rectangular voice. For longer text, it is most effective in short bursts—pull quotes, labels, or UI callouts—where spacing can be tuned for clarity.
The overall tone is strong and utilitarian, with a slightly retro, signage-inspired flavor. Its dense black presence reads confident and no-nonsense, prioritizing impact and solidity over delicacy or warmth. The rounded corners soften the otherwise blocky build, giving it a friendly edge without losing authority.
The design appears intended to deliver maximum visual impact in a tight footprint, using superelliptical curves to keep the forms cohesive and contemporary while retaining an industrial, sign-painter practicality. The consistent stroke weight and blunt detailing suggest a focus on reproducible, high-contrast-on-background applications typical of display and branding use.
The condensed set width and tight counters mean the face benefits from generous tracking and line spacing at smaller sizes. In larger settings, the squared curves and blunt terminals become a defining graphic motif, producing a cohesive, stamped or engineered look across words and numerals.