Sans Superellipse Ogbaj 11 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio and 'Realtime', 'Realtime Rounded', 'Realtime Stencil', 'Realtime Stencil Rounded', 'Realtime Text', and 'Realtime Text Rounded' by Juri Zaech (names referenced only for comparison).
Keywords: ui labels, code mockups, packaging, signage, posters, industrial, utilitarian, technical, retro, sturdy, clarity, robustness, systematic, compactness, modern-retro, rounded corners, squared curves, compact, blocky, high legibility.
A compact, monoline sans with rounded-rectangle construction and softened corners throughout. Strokes are heavy and even, with minimal contrast and a steady, mechanical rhythm. Counters tend toward squarish ovals, terminals are blunt and rounded, and curves are resolved as superellipse-like arcs rather than true circles. Proportions are disciplined and consistent across the set, with sturdy joins and simplified geometry that favors clarity over finesse.
Well-suited to interface labels, dashboards, and systems graphics where a compact, highly legible texture is helpful. It also fits packaging, product markings, and signage that benefit from a tough, rounded-industrial voice. In display settings, its dense presence can deliver punchy headings with a technical, retro-utility flavor.
The overall tone feels utilitarian and technical, like labeling and tooling marks translated into a friendly, rounded form. Its squared curves and dense color give it an industrial confidence, while the softened corners keep it approachable. The result reads as mildly retro—evoking terminals, equipment badges, and pragmatic signage.
The design appears intended to merge monospaced discipline with a softer, rounded-rectangle geometry, creating a robust face that stays readable under constraints. Its simplified forms and consistent stroke behavior suggest a focus on reliability in functional typography, while the superelliptical curves add a distinctive, cohesive personality.
Round letters such as O/C/G are notably squarish, reinforcing the superelliptical theme. Numerals are similarly robust and uniform, designed to hold up at small sizes and in harsh reproduction. The punctuation and spacing shown in the sample text maintain a consistent, no-nonsense cadence that supports long runs of text when a controlled, engineered feel is desired.