Sans Normal Noraw 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Galvani' and 'Qubo' by Hoftype, 'PF Centro Sans Pro' by Parachute, 'Belle Sans' by Park Street Studio, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Quebec Serial' by SoftMaker (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, confident, friendly, modern, sporty, punchy, impact, clarity, approachability, modernity, rounded, blocky, sturdy, compact, clean.
This typeface is a heavy, rounded sans with broad proportions and tightly packed internal counters. Strokes stay consistent with minimal modulation, and terminals are clean and blunt with softened corners rather than sharp points. Curves are generous and geometric, while straight-sided letters maintain a stable, block-like silhouette; joints and apertures tend to be relatively closed, reinforcing a dense, ink-heavy texture. Numerals match the letterforms with wide, sturdy shapes and simple construction for high-impact set text.
Best suited to headlines, posters, signage, and brand marks where maximum impact and quick recognition are needed. It also fits packaging, social graphics, and sports or entertainment branding that benefits from a strong, friendly, contemporary sans. For extended reading, larger sizes and generous leading help maintain clarity due to the dense counters.
The overall tone is bold and upbeat, projecting confidence and approachability rather than refinement. Its rounded geometry reads contemporary and energetic, giving it a sporty, attention-grabbing voice suited to assertive messaging.
The design appears intended to deliver a high-impact, modern sans voice with rounded geometry and compact internal space, prioritizing presence and consistency over delicate detail. It aims to be highly legible at large sizes while maintaining a cohesive, sturdy texture across letters and numerals.
At display sizes it creates strong rhythm and uniform color, while the tight counters and closed apertures can make long passages feel heavy and compact. The spacing and wide stance emphasize presence, and the simplified details keep the shapes clear in headlines and short bursts of copy.