Sans Superellipse Ibmas 16 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Murs Gothic' by Kobuzan, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Classic Grotesque' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, modernity, brandability, clarity, rounded, soft corners, compact, stout, high impact.
A heavy, rounded sans with soft-shouldered corners and broadly superelliptical curves. Strokes are uniform and dense, with compact counters and a generally sturdy, block-like silhouette that reads cleanly at large sizes. Terminals are blunt and smoothly finished, giving letters a cushioned geometry; curves (C, G, O, S) feel squarish-round rather than purely circular. The lowercase is straightforward and sturdy, with simple single-storey forms and a wide, stable stance in bowls and stems; figures are similarly chunky and built for strong presence.
Best suited to display settings where impact and clarity matter: headlines, posters, packaging, and branding marks. It also fits short UI labels or signage when a friendly, strong presence is needed, though its tight counters suggest avoiding very small sizes or lengthy passages.
The overall tone is bold and approachable, combining a contemporary, geometric feel with a friendly softness. Its rounded squareness and tight interiors create a punchy, emphatic voice that suits upbeat, attention-seeking typography without feeling sharp or aggressive.
The design appears intended to deliver maximum visual weight with softened geometry—pairing blocky construction and rounded-superellipse forms to create a modern, approachable display sans that holds up in bold messaging and brand-forward applications.
Spacing in the sample text appears compact, reinforcing a dense, headline-oriented texture. The design maintains consistent corner-rounding across straights and curves, which helps the alphabet feel cohesive and logo-ready.