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Free for Commercial Use

Sans Superellipse Filom 3 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Plasto' by Eko Bimantara, 'Nizzoli' by Los Andes, 'Radiate Sans' by Studio Sun, and 'Cannon' and 'Helios Antique' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, sportswear, sporty, confident, modern, energetic, friendly, impact, motion, modernize, soften geometry, display clarity, rounded, slanted, geometric, soft corners, compact counters.


Free for commercial use
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A heavy, slanted sans with rounded-rectangle construction and softly squared curves throughout. Strokes are broadly uniform with minimal modulation, producing dense, high-impact letterforms and compact interior counters. The proportions lean generous in width, with a steady rhythm and sturdy horizontals; joins and terminals are clean and slightly softened, keeping the overall texture smooth even at large sizes. Numerals and capitals match the same superelliptical logic, reinforcing a consistent, engineered feel.

Best suited to short, high-impact settings such as headlines, branding, posters, and packaging where its dense weight and slanted stance can project momentum. It also fits contemporary product and apparel graphics that benefit from a sturdy, rounded, geometric voice.

The tone is assertive and contemporary, balancing strength with approachability through its rounded corners and smooth curves. The italic slant adds motion and urgency, giving headlines a fast, active character that reads as sporty and confident rather than formal.

Likely designed to deliver a bold, fast-looking sans with a softened geometric skeleton—combining impact and readability with rounded-rectangle forms. The goal appears to be a modern display workhorse that feels energetic and friendly while remaining structurally clean and consistent.

Round letters tend toward squarish bowls, and the diagonal stress introduced by the slant is echoed in angled joins and energetic word shapes. At text sizes the tight counters and heavy weight will create a dark color, while at display sizes the geometric rounding becomes a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸