Sans Superellipse Hadog 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Nicomedia' by Artegra, 'QB One' by BoxTube Labs, 'Tradesman' by Grype, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, 'Celdum' by The Northern Block, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, logos, posters, ui labels, packaging, techno, industrial, retro-futurist, sturdy, utilitarian, geometric impact, system consistency, tech signaling, display strength, squared, rounded corners, compact apertures, geometric, modular.
This typeface is built from rounded-rectangle geometry, with squared counters and consistently softened corners. Strokes are uniform and heavy, producing a solid, block-like color with minimal modulation. Many joins and terminals resolve into straight cuts, and curves tend to behave like superelliptical arcs rather than true circles. Proportions read as expansive horizontally, with relatively compact inner spaces and a slightly condensed feel in the lowercase details compared to the broad caps.
Best suited for short, high-impact text such as headlines, branding, sports/tech logotypes, posters, and packaging where a strong geometric voice is desired. It can also work for interface labels or signage-style applications at sizes where the compact apertures and dense color remain clear.
The overall tone feels technical and engineered, evoking digital interfaces, machinery labeling, and retro arcade or sci‑fi graphics. Its strong, squared rhythm and controlled rounding project a confident, no-nonsense voice rather than a friendly or calligraphic one.
The design appears intended to deliver a bold, geometric sans with a superelliptical, rounded-rectangle construction that stays consistent across letters and figures. It prioritizes a disciplined, modular silhouette and strong presence for display and identity work.
Distinctive square counters appear across letters like O, D, and P, and the numerals follow the same rounded-rectangular construction for a cohesive system. The lowercase is simplified and sturdy, with straightforward forms and tight apertures that emphasize a modular, display-oriented personality.