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Free for Commercial Use

Sans Superellipse Hamin 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype, 'Nizzoli' by Los Andes, 'Glint' by Pesic, 'Olney' by Philatype, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).

Keywords: headlines, ui, signage, posters, branding, tech, modern, utilitarian, industrial, clean, systematic, legibility, contemporary, distinctive geometry, brand utility, squared-round, geometric, modular, compact, monoline.


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A geometric sans with squared-round (superelliptical) bowls and corners, producing a compact, modular silhouette. Strokes are uniform and sturdy, with large-radius rounding at terminals and joints that keeps forms smooth even at heavy weight. Counters are tight but clear, with wide apertures in letters like C and S and flattened curves that emphasize a rectilinear rhythm. Uppercase proportions feel broad and steady, while lowercase forms maintain simple construction and minimal detailing; figures echo the same rounded-rectangle geometry for consistent texture in text.

Best suited to headlines, interface labels, and display typography where a robust, modern presence is needed. It can work well in signage and wayfinding thanks to its clear silhouettes and consistent stroke weight, and it also fits contemporary brand systems that want a clean, engineered look.

The overall tone is contemporary and functional, with a tech-forward, engineered feel. Its squared rounding reads friendly but controlled, suggesting product UI, hardware, and modern branding rather than humanist warmth or editorial refinement.

Likely intended to deliver a bold, contemporary sans built from rounded-rectangle geometry, combining strong legibility with a distinctive squared-round personality. The consistent construction across caps, lowercase, and numerals suggests an emphasis on systematized forms that reproduce reliably in digital and environmental contexts.

The design maintains a strong grid logic across letters and numerals, with rounded corners and straight segments balanced to create a stable, blocky color on the page. The punctuation and basic shapes shown in the sample hold the same compact, squared-round character, supporting a cohesive voice in short lines and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸