Sans Superellipse Ukbab 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Tradesman' by Grype (names referenced only for comparison).
Keywords: headlines, logos, packaging, posters, ui labels, techno, industrial, futuristic, sporty, gaming, modernize, systemize, signal tech, maximize impact, squared, rounded, modular, geometric, compact.
A heavy, geometric sans built from squared shapes with generously rounded corners and consistent stroke weight. The design leans on rounded-rectangle counters and terminals, producing a compact, blocky texture with clear, open apertures where needed. Curves are minimized in favor of superellipse-like bowls, while diagonals (as in K, V, W, X, Y, Z) are straight and crisp, creating a firm, engineered rhythm. Numerals follow the same squarish logic, with boxy 0 and segmented, rectangular interior spaces that keep the set visually uniform.
Best suited to headlines, logotypes, and branding where a bold, technical voice is desired. It also works well for short UI labels, signage-style callouts, and packaging titling where its compact, squared forms and rounded corners deliver clear, impactful shapes.
The overall tone is modern and technical, with a confident, utilitarian feel that reads as futuristic and slightly industrial. Its rounded corners soften the hardness of the geometry, giving it a friendly edge while still feeling precision-made and performance-oriented.
The design appears intended to merge geometric efficiency with approachable rounded corners, delivering a contemporary, tech-leaning sans that stays consistent across caps, lowercase, and numerals. Its construction prioritizes strong silhouettes and a cohesive superelliptical motif for a recognizable, systemized look.
Spacing and proportions create a sturdy, display-forward color on the page, especially in all caps, where the squared silhouettes form strong horizontal bands. Distinctive, rounded-rectangular counters contribute to quick character recognition at larger sizes and reinforce the font’s modular, system-like personality.