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Free for Commercial Use

Sans Superellipse Hakiz 4 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Black Square' and 'Kabyta' by Agny Hasya Studio, 'Barakat' by Denustudio, and 'FX Ambasans' by Differentialtype (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, techno, industrial, athletic, futuristic, sturdy, impact, modernize, systemize, brand presence, ui feel, square-rounded, geometric, modular, compact, punchy.


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A heavy, geometric sans built from squared skeletons with generously rounded corners. Curves resolve into superellipse-like bowls and counters, giving O, Q, and 0 a rounded-rectangle feel, while diagonals (A, V, W, X, Y) are crisp and planar. Strokes maintain an even weight with minimal contrast, and terminals are mostly squared-off with softened radii. Openings and counters are compact and rectangular, producing a tight, engineered rhythm; the lowercase uses single-storey forms (a, g) and simple, blocky construction that stays consistent with the uppercase.

Best suited to display contexts where bold, geometric letterforms are meant to signal strength and modernity—headlines, posters, product branding, sports and fitness graphics, packaging, and UI/wayfinding accents. It can also work for short blocks of text or captions when ample size and spacing preserve counter clarity.

The overall tone is modern and utilitarian, with a sporty, tech-forward confidence. Its rounded-square geometry feels industrial yet friendly, evoking UI hardware, sci‑fi labeling, and contemporary performance branding rather than editorial warmth.

The design appears intended to translate a rounded-rectangle/superellipse construction into a versatile, high-impact sans that stays clean and consistent across caps, lowercase, and numerals. Its compact counters and softened corners suggest a balance between technical precision and approachability for contemporary branding and interface-forward applications.

The figures follow the same rounded-rectangle logic as the letters, emphasizing a cohesive, system-like character. In text, the dense shapes and small interior counters create strong color and impact, especially at display sizes where the softened corners read as intentional design rather than purely mechanical.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸