Sans Superellipse Jibis 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs and 'Bs Mandrax' by Feliciano (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sportswear, packaging, industrial, sporty, techno, bold, retro, high impact, mechanical feel, retro tech, strong branding, octagonal, chamfered, blocky, compact, geometric.
A heavy, geometric sans with squared-off contours softened by consistent chamfered corners, giving most forms an octagonal, rounded-rectangle silhouette. Strokes are monoline and dense, with wide, stable verticals and tightly controlled counters that read as rectangular cut-ins rather than fully round bowls. Curves are minimized in favor of straight segments and clipped joins, producing a crisp, engineered rhythm across caps, lowercase, and numerals. Spacing and proportions feel compact and sturdy, with simplified terminals and a generally uniform, modular construction.
Best suited to large sizes where its chunky geometry and chamfered corners can read cleanly—headlines, poster titles, team or event branding, and bold packaging labels. It also works well for UI headers, badges, and short technical or gaming-themed callouts where a compact, blocky presence is desirable.
The overall tone is tough and utilitarian, evoking athletic markings, industrial labeling, and arcade/console-era display typography. Its sharp chamfers add a mechanical, technical edge while the rounded-rectangle logic keeps it approachable rather than aggressive. The result feels energetic, confident, and purpose-built for impact.
The design appears intended to deliver maximum visual impact with a modular, engineered construction, balancing hard-edged geometry with softened corners for legibility. It prioritizes strong silhouettes and consistent, machine-like shaping suitable for display typography in contemporary and retro-tech contexts.
Several glyphs emphasize stencil-like interior shaping through squared apertures and notched joins, reinforcing a machined look. Diagonals and angled strokes appear deliberately restrained and faceted, helping maintain a consistent grid-fit aesthetic across the set, especially in the numerals.