Sans Superellipse Etmar 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Faculty' by Device, 'EF Diamanti Condensed' by Elsner+Flake, 'FF Transit' by FontFont, 'Aeonis' by Linotype, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, sports, packaging, sporty, dynamic, confident, modern, assertive, emphasis, motion, modernity, impact, clarity, oblique, geometric, rounded, compact, clean.
A slanted, sans-serif design with compact proportions and sturdy, monoline strokes. Curves are built from rounded, superellipse-like shapes, giving bowls and counters a smooth, engineered feel rather than a calligraphic one. Terminals are clean and mostly squared-off with subtle rounding, and joins stay tight and controlled, producing a dense, high-impact texture in text. Numerals follow the same robust geometry, with simple, readable forms that keep consistent stroke weight and oblique rhythm.
Well-suited to headlines and short-form display use where impact and motion are desirable, such as sports branding, event graphics, posters, and energetic marketing. It can also work for logos and packaging that benefit from a compact, modern sans with a forward-leaning stance.
The overall tone is fast, emphatic, and contemporary, with an athletic energy driven by the pronounced slant and compact, muscular letterforms. It reads as confident and utilitarian, leaning toward performance and motion rather than softness or elegance.
The design appears intended to deliver a forceful, contemporary oblique sans that stays clean and highly legible while projecting speed and strength. Its superellipse-based rounds and tight spacing cues suggest a focus on modern branding and attention-grabbing display typography.
The italic angle is strong enough to create forward momentum while still maintaining clear letter differentiation in all-caps and mixed-case settings. The rounded-rectangle construction is especially evident in circular letters, where the shapes feel slightly squared in their curvature, reinforcing a technical, modern character.