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Sans Superellipse Gegim 13 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Acumin' by Adobe, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Noison' by Lone Army, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports, branding, packaging, sporty, assertive, energetic, retro, dynamic, impact, speed, space-saving, display, slanted, condensed, heavy, rounded, compact.


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A heavy, slanted sans with compact proportions and strongly rounded, superellipse-like curves. Strokes stay largely uniform, producing solid, dark shapes with minimal modulation, while the italic angle creates a forward-leaning rhythm across words. Counters are relatively tight and apertures are small, giving letters a dense, punchy texture; terminals are clean and mostly blunt, with smooth joins that keep the forms cohesive. Figures and capitals share the same compact, high-impact construction, reading as sturdy blocks with softened corners rather than sharp geometry.

Best suited for headlines, posters, and promotional typography where a strong, forward-leaning emphasis is desired. It can work well for sports and action-oriented branding, packaging, and bold social graphics, especially when set with generous tracking or at larger sizes to keep word shapes clear.

The overall tone is fast, loud, and confident—more about impact than delicacy. Its slanted stance and dense color suggest motion and urgency, with a familiar retro-athletic flavor that feels at home in bold branding. The rounded rectangular construction softens the aggression slightly, keeping the voice approachable while still forceful.

The design appears aimed at delivering maximum visual impact in a condensed footprint, combining rounded-rectangle construction with a pronounced slant to convey speed and strength. It prioritizes bold presence and a cohesive, blocky rhythm for display use, where immediate recognition and energetic tone are key.

In text settings the weight creates a continuous, high-contrast-to-the-page presence (dark typographic color), so spacing and line breaks become important for clarity. The narrow interior spaces and compact letterforms favor short bursts of copy and prominent headlines over extended reading at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸