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Free for Commercial Use

Sans Normal Ogry 9 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Humanist 521' by Bitstream, 'Provan' and 'Provan Formal' by Matteson Typographics, 'Humanist 521' by ParaType, and 'Brother 1816' by TipoType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, sporty, punchy, impact, clarity, approachability, brand voice, modernity, geometric, rounded, chunky, clean, sturdy.


Free for commercial use
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A heavy, geometric sans with broad proportions and compact counters that keep strokes feeling dense and stable. Curves are built from smooth circular/elliptical forms, paired with straight-sided verticals and crisply cut terminals, giving the letters a clean, engineered rhythm. Uppercase forms read as strong and simple, while lowercase keeps a single-storey a and g with open, rounded bowls; apertures are generally tight, emphasizing weight and solidity. Numerals are similarly robust and rounded, with consistent stroke thickness and minimal modulation.

Best suited for headlines, large-scale typography, and high-impact messaging where a dense, rounded sans can carry presence. It works well for brand marks, packaging, signage, and short UI or promotional copy where strong shapes and clear silhouettes are prioritized over long-form reading.

The overall tone is bold and upbeat, projecting confidence without feeling aggressive. Its rounded geometry adds approachability, while the dense color and wide stance suggest energy and impact suited to contemporary branding.

The design appears intended as an impact-forward sans that combines geometric roundness with sturdy, simplified construction. It aims to deliver a strong, contemporary voice with friendly curves and reliable legibility at larger sizes.

Spacing appears generous enough to maintain clear word shapes at display sizes, and the heavy joins and intersections create a unified, blocky texture across lines. The design favors clarity of silhouette over fine detail, with smooth curves and sharp-ish cuts providing contrast in a simplified, modern way.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸