Sans Normal Oskib 9 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'London Bridge' by Fype Co, 'MVB Embarcadero' by MVB, 'Interval Next' by Mostardesign, 'Claspo ND' by Nicolas Deslé, 'Jindo' by Nine Font, 'Kagins' by Rhtype, 'Gymkhana' by Typodermic, and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, impactful, sporty, high impact, approachable strength, modern utility, display clarity, rounded, blocky, compact, sturdy, punchy.
A heavy, rounded sans with broad proportions and simplified geometry. Strokes are consistently thick with minimal modulation, and terminals are mostly squared-off but softened by generous rounding in bowls and corners. Counters are relatively small for the weight, giving letters a dense, compact color, while spacing appears steady and readable in the sample text. The lowercase shows single‑storey a and g, a robust, square-shouldered n/m, and a short, firm t with a compact crossbar; the numerals are similarly chunky with wide, stable forms.
Best suited to short-to-medium headline settings where strong emphasis and quick legibility are needed, such as posters, campaign graphics, storefront signage, and bold brand wordmarks. It can also work for packaging and labels where a compact, high-impact sans is desirable, while extended body text may feel heavy due to the dense counters.
The overall tone is assertive and upbeat, balancing strong visual weight with approachable rounded shapes. It reads as contemporary and practical, with a poster-ready presence that still feels friendly rather than aggressive.
The design appears intended to deliver maximum presence with straightforward, geometric letterforms, pairing a strong, utilitarian structure with softened curves for approachability. Its consistent stroke weight and compact detailing suggest a focus on reliable reproduction at display sizes and attention-grabbing messaging.
Round letters (O, C, G, Q) lean toward circular forms with slightly squared internal shaping, reinforcing a solid, engineered feel. Diagonals in A, V, W, X, and Y are thick and stable, and the punctuation in the sample (apostrophe, ampersand, exclamation) matches the same bold, compact rhythm.