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Sans Superellipse Holoy 15 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'FS Irwin' and 'FS Silas Sans' by Fontsmith, 'Epoca Pro' and 'Qubo' by Hoftype, 'Noli' by Monotype, 'Mato Sans' by Picador, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Tabac Sans' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, chunky, friendly, punchy, retro, impact, approachability, display, retro modern, simplicity, rounded, bulky, soft corners, compact counters, sturdy.


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A heavy, rounded sans with broad proportions and a distinctly soft, superellipse geometry. Strokes are thick and consistent in feel, with corners consistently blunted and curves tending toward squared-off rounds rather than perfect circles. Counters are compact and apertures are relatively tight, giving the face a solid, blocky color on the page. The lowercase shows single‑storey forms (notably a and g) and simple, robust shapes; figures are similarly hefty with rounded terminals and a stable, centered stance.

This style is best suited to large-scale typography: headlines, posters, display branding, packaging, and signage where its chunky shapes can carry presence from a distance. It can also work for short UI labels or badges when clarity is prioritized and spacing is managed, but it is less ideal for long-form text due to its dense color and compact counters.

The overall tone is bold and approachable, leaning playful and slightly retro due to its inflated forms and soft-rectangular curves. It feels energetic and attention-grabbing without turning sharp or aggressive, making it read as friendly, informal, and poster-ready.

The design appears intended as a high-impact display sans that combines friendliness with weight, using rounded-rectangle construction to create a distinctive, contemporary-retro voice. Its simplified lowercase and sturdy numerals support quick recognition in punchy, message-driven layouts.

The wide set and dense black weight produce strong impact in headlines, while the tight counters and heavy joins suggest using generous tracking and line spacing for longer settings. The design’s consistent corner treatment keeps word shapes cohesive and makes repeated rounds (o, e, 0, 8) feel unified.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸