Sans Superellipse Fygis 2 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Faculty' by Device, 'EB Corp' by Eko Bimantara, 'Bega' by Indian Type Foundry, 'Fact' by ParaType, 'Madiffure' by Ridtype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Kobern' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, dynamic, confident, modern, punchy, impact, motion, branding, friendliness, clarity, oblique, rounded, soft corners, compact counters, blocky.
A heavy, oblique sans with broad proportions and rounded-rectangle construction throughout. Strokes are thick and even, with softened terminals and corners that give the forms a smooth, molded feel rather than sharp geometry. Counters are relatively tight and the joins are robust, producing strong silhouettes and a dense, poster-ready texture. Uppercase forms read as sturdy and compact, while lowercase maintains a large core with short-looking extenders, reinforcing a solid, grounded rhythm in text.
Best suited to high-impact display settings such as headlines, posters, sports and fitness branding, and promotional or packaging typography where bold presence is a priority. It can also work for short bursts of emphasis in UI or editorial layouts, though the dense shapes and tight counters suggest keeping it at larger sizes for clarity.
The overall tone is energetic and assertive, with an athletic, forward-leaning presence. Rounded corners keep it friendly and contemporary, balancing the mass with approachability. It feels built for impact and momentum rather than quiet neutrality.
The design appears intended to deliver maximum visual punch with a modern, rounded industrial flavor, combining a forward oblique stance with sturdy, superelliptical forms. Its consistent stroke weight and softened geometry suggest a focus on strong branding and legible impact rather than typographic delicacy.
The italic slant and wide stance create strong horizontal motion, making lines of text feel fast and compressed in a deliberate way. Round characters like O/0 and bowls lean toward squarish, superelliptical shapes, and diagonals (V/W/X) read bold and stable with minimal delicacy.