Sans Superellipse Gidis 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Judgement' by Device, 'Design System' by Dharma Type, 'Movie Ticket JNL' by Jeff Levine, 'Environ' by MADType, 'Machinista' by T-26, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, futuristic, techy, bold, sporty, industrial, impact, modern branding, tech aesthetic, compact display, rounded, blocky, compact, geometric, soft corners.
A heavy, rounded-rect geometric sans with monoline strokes and broadly squared counters. Corners are consistently softened, producing a superellipse feel across curves and joins. Proportions are compact with a tall x-height and short extenders; bowls and apertures tend to be tight, giving dense color in text. Uppercase forms are sturdy and squared, while several lowercase shapes echo the same modular construction (notably the single-storey a and g, and the squared, rounded o). Numerals follow the same blocky logic with stable, rectangular silhouettes.
Best suited for display typography where impact and strong silhouette matter: headlines, posters, logotypes, sports or esports branding, packaging, and UI/feature callouts. In smaller sizes and long paragraphs, the tight apertures and dense texture may benefit from generous tracking and leading.
The overall tone is assertive and contemporary, reading as tech-forward and engineered rather than friendly or literary. Its dense, squared rhythm and rounded corners evoke digital interfaces, industrial labeling, and sport branding—confident, punchy, and a bit retro-futurist.
The font appears designed to deliver maximum visual weight with a clean, geometric system: squared forms, rounded corners, and consistent stroke behavior aimed at modern branding and attention-grabbing titles. Its modular construction suggests an intention to feel both technical and approachable, balancing hard geometry with softened edges.
The design relies on strong verticals and flat terminals with minimal modulation, which makes word shapes feel uniform and compact. Some characters show intentionally narrowed openings and enclosed counters, reinforcing a solid, logo-like presence at display sizes.