Sans Other Givy 2 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, stencil, geometric, industrial, futurist, graphic impact, stencil motif, geometric display, poster styling, brand distinctiveness, modular, cutout, angular, hard-edged, display.
A heavy, geometric sans built from broad strokes and simplified primitives, with frequent vertical splitting and triangular cut-ins that create a stencil-like, cutout construction. Curves are largely circular and monolinear in feel, while joins and terminals resolve into crisp flats, wedges, and notches. Counters are compact and often interrupted, producing a segmented rhythm across words. Spacing appears generous for a display face, and the overall texture is dense, graphic, and highly shape-driven.
Best suited to large sizes where the cutout details and segmented counters can be appreciated—posters, headlines, event branding, packaging, and high-impact signage. It can also work for short logotypes and wordmarks where a strong, graphic silhouette is desired, but is less appropriate for long passages of small text due to the intentionally interrupted letterforms.
The interrupted forms and sharp cut details evoke an Art Deco and industrial poster sensibility with a distinctly modern, engineered edge. It reads as bold, assertive, and slightly enigmatic, prioritizing visual impact and pattern over neutrality. The consistent cut motifs lend a crafted, signage-like character that feels both retro and futuristic.
The letterforms appear designed to translate geometric construction into a distinctive display voice by applying consistent cutout/stencil operations across the alphabet. The goal seems to be a cohesive, highly recognizable texture that turns text into a bold graphic pattern while staying within a sans framework.
The design relies on recurring vertical slits and diagonal incisions that align across many glyphs, creating a strong internal motif and a cohesive word-image effect. Round letters often appear as near-perfect discs with engineered breaks, while diagonals (as in V/W/X/Y/Z) emphasize sharp, high-contrast negative shapes created by the cutouts.