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Free for Commercial Use

Sans Superellipse Kesa 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'CF Blast Gothic' by Fonts.GR, 'Enamela' by K-Type, and 'Refuel' by Typodermic (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, app headers, sporty, dynamic, assertive, compact, impact, speed, space saving, display clarity, rounded corners, oblique, condensed, blocky, ink-trap like.


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A compact, oblique sans with heavy, low-contrast strokes and a squared-off, superelliptical construction. Corners are broadly rounded, and many joins and counters show small notches and cut-ins that give the shapes a slightly engineered, ink-trap-like feel. Proportions are tight with short extenders and a tall x-height, creating a dense, forward-leaning rhythm that stays legible at display sizes. Numerals follow the same rounded-rectangle logic, with open apertures and sturdy forms designed to hold up under weight.

Best suited for short, high-impact text such as sports identities, team or event branding, posters, and promotional headlines. It can also work for packaging callouts and UI/header moments where a condensed, energetic typographic voice is needed, while longer paragraphs may feel dense due to the weight and slant.

The overall tone is energetic and forceful, with a streamlined, competitive attitude. Its forward slant and compact width suggest motion and urgency, while the softened corners keep the voice modern rather than harsh. The result feels tailored for high-impact messaging where speed and confidence are part of the aesthetic.

The font appears designed to deliver maximum visual punch in limited horizontal space, combining a fast oblique stance with rounded-rectangle geometry for a contemporary, industrial polish. The sturdy strokes and slightly relieved interior corners suggest an intention to preserve clarity and shape integrity in bold, high-contrast applications.

The design leans on consistent superelliptical curves and flattened terminals, producing a unified, logo-like texture in words. The slight internal cut-ins at joins and inside corners add visual crispness and help counters stay open in such heavy letterforms, especially in tight compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸