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Sans Superellipse Kehe 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Beatcarb' by Ergibi Studio, 'CF Blast Gothic' by Fonts.GR, 'Resola' by Ironbird Creative, 'Ad Design JNL' by Jeff Levine, 'Enamela' by K-Type, and 'Red Top' by Studio K (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotions, sporty, urgent, confident, punchy, modern, impact, speed, compactness, modernization, branding, oblique, condensed, rounded, blocky, high-impact.


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A compact, right-slanted sans with dense, uniform strokes and tightly controlled spacing. Curves are rounded and squared-off in a superellipse-like way, giving bowls and counters a soft-cornered, rectangular feel. Terminals are clean and mostly blunt, with minimal modulation; the silhouette reads as sturdy and engineered rather than calligraphic. Uppercase forms are tall and compressed, while the lowercase keeps a straightforward, utilitarian build with single-storey shapes and clear, open counters where possible at this weight.

Best suited to display settings where impact and speed matter: headlines, posters, promotional graphics, and bold branding—especially for sports, fitness, or automotive-themed work. It can work for short UI labels or callouts when set large, but extended reading will typically want careful tracking and line spacing due to the dense, compressed forms.

The overall tone is fast, forceful, and contemporary, with a strong sense of momentum from the slant and compressed proportions. It feels assertive and energetic—more “performance” than “polite”—and projects a no-nonsense, headline-ready attitude.

The design appears intended to deliver maximum visual punch in a compact footprint, combining a consistent oblique stance with rounded-rectangular geometry for a modern, athletic voice. Its simplified construction prioritizes clarity at large sizes and a strong, unified texture across mixed-case text.

The heavy weight and condensed set make internal spaces small, especially in characters like a/e/s and numerals, so it benefits from generous sizing and breathing room. The oblique angle is consistent across caps, lowercase, and figures, helping text blocks maintain a coherent forward-leaning rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸