Sans Superellipse Felah 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gibstone' and 'Malberg' by Eko Bimantara, 'Sys 2.0' by FSD, 'FF Good' by FontFont, 'PODIUM Sharp' by Machalski, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, modern, energetic, impact, momentum, modernity, visibility, oblique, rounded, compact, punchy, smooth.
A heavy, oblique sans with smooth, rounded corners and rounded-rectangle construction throughout. Strokes are uniformly thick with minimal contrast, producing a dense, high-impact silhouette. Curves feel squared-off into superellipse-like bowls, while terminals are clean and blunt rather than tapered. Counters are moderately tight and spacing is compact, creating a sturdy rhythm that reads best at display sizes; the numerals and capitals share the same solid, forward-leaning stance for a cohesive texture.
Well-suited to headlines, posters, and bold branding where a compact, energetic voice is needed. It can work effectively for sports and fitness identities, product packaging, event promotions, and UI/marketing callouts where quick recognition matters more than long-form reading comfort.
The overall tone is assertive and kinetic, with an unmistakable forward motion from the slant and compact weight. It suggests speed, strength, and contemporary utility—more athletic and promotional than delicate or literary. The rounded geometry keeps it friendly and approachable while still feeling powerful.
The letterforms appear designed to deliver maximum impact with a streamlined, contemporary geometry: heavy strokes, rounded-rectangle bowls, and a strong oblique stance that conveys motion. The intent reads as a modern display sans aimed at attention-grabbing typography with a friendly but forceful presence.
The design maintains consistent rounding and stroke behavior across uppercase, lowercase, and figures, which helps it look uniform in headlines and short bursts of text. The oblique angle is pronounced enough to add momentum without becoming cursive, and the blocky curves give it a distinctly engineered, modern feel.