Sans Superellipse Etleh 14 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'FF Good' by FontFont, and 'Oxford Street' by K-Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, modern, assertive, dynamic, friendly, impact, speed, clarity, branding, approachability, rounded, oblique, compact, blocky, clean.
A heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even, with minimal modulation and a compact, sturdy feel in curves and joins. The letterforms lean forward consistently, with broad, squared counters (notably in C, O, D) and blunt terminals that keep silhouettes crisp at a distance. Lowercase forms are simple and functional, with sturdy bowls and short, efficient extenders; numerals match the same chunky, rounded geometry for a cohesive texture across mixed copy.
Best suited to headlines, short statements, and display typography where impact and motion matter—such as sports identities, promotional posters, retail signage, and packaging. Its rounded, blocky forms help it stay legible in high-contrast applications and at medium-to-large sizes.
The overall tone is energetic and contemporary, pairing a confident weight with a forward slant that reads fast and active. Rounded corners and roomy internal shapes keep it approachable rather than harsh, giving it a friendly, athletic voice suitable for bold messaging.
Likely drawn to deliver a bold, modern sans voice with a sense of speed, using a consistent oblique angle and rounded-rectangle geometry for a distinctive, cohesive look. The emphasis appears to be on strong silhouettes and clear counters for attention-grabbing, brand-forward typography.
The design maintains a strong rhythm in text due to its consistent slant and uniform stroke thickness, producing a dense, graphic color. Round letters skew toward superelliptical shapes, while diagonals (A, V, W, X) feel stable and engineered rather than calligraphic.