Sans Other Duka 11 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, packaging, industrial, techno, arcade, brutalist, futuristic, impact, retro tech, branding, signage, display, blocky, geometric, angular, stencil-like, modular.
A heavy, geometric sans built from squared modules and hard corners, with frequent diagonal cuts that sharpen joins and terminals. Counters tend to be boxy and compact, with rectangular apertures and occasional enclosed forms that feel punched out. Stroke endings are flat and abrupt, and many glyphs show deliberate notches or chamfered corners that create a mechanical, constructed rhythm. Overall spacing reads tight and dense, favoring strong silhouettes over delicate interior detail.
Best suited to display applications where impact and a geometric, tech-forward voice are desired—headlines, posters, title cards, and bold wordmarks. It can work well for gaming interfaces, sci‑fi or industrial-themed packaging, and event graphics where strong silhouettes help at a distance. For long passages, the tight counters and dense rhythm may be more effective in short blocks or larger sizes.
The font conveys a bold, machine-made attitude with an unmistakably digital, game-like flavor. Its angular cuts and block construction suggest retro-futurism and industrial signage, giving text a confident, confrontational presence. The tone feels utilitarian yet playful, akin to arcade UI, sci-fi labeling, or hard-edged branding.
The design appears intended to deliver maximum visual punch through modular, squared construction and signature diagonal cuts, creating a distinctive identity that reads as engineered and modern. It prioritizes strong, easily recognizable shapes and a cohesive system across cases and figures, aiming for a branded, display-oriented presence.
Distinctive diagonal spurs and clipped corners create a consistent “carved” motif across uppercase and lowercase. The lowercase maintains a similarly rigid, modular structure rather than a more humanist cursive flow, reinforcing the display-first character. Numerals follow the same boxed logic, producing a cohesive set for headlines and short bursts of information.