Sans Superellipse Homam 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Litmus' by Indian Type Foundry, 'JAF Bernini Sans' by Just Another Foundry, 'Frutiger' by Linotype, 'Newbery Sans Pro' by Sudtipos, 'Indecise' by Tipo Pèpel, and 'Marble' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, assertive, playful, retro, friendly, sporty, display impact, friendly boldness, constructed geometry, brand presence, rounded, blocky, soft corners, compact, high impact.
A heavy, rounded sans with a superellipse construction: curves read as rounded rectangles and counters stay open but compact. Strokes are thick and consistent, with softened corners and subtly squared curves that keep forms sturdy rather than bubbly. Uppercase letters are broad and steady with straightforward geometry, while lowercase maintains the same blocky rhythm and clear, simple terminals. Numerals are bold and dense, built to match the same rounded-rectangle logic and strong vertical presence.
Best suited for large-size applications where impact and quick recognition matter, such as headlines, posters, branding marks, packaging fronts, and signage. It can also work for short UI labels or badges when a friendly but forceful voice is needed, though long paragraphs may feel visually heavy.
The tone is loud, confident, and approachable—more energetic than formal. Its chunky shapes and softened corners give it a friendly, slightly retro feel that suggests headlines, sports branding, or bold packaging rather than quiet editorial text.
The likely intention is a high-impact display sans that merges strong, compact mass with softened geometry for approachability. Its superellipse-based curves and blocky proportions aim to deliver a modern, constructed look that remains warm and readable in bold statements.
The design favors big internal spaces and simplified joins, producing strong silhouettes at a distance. Round letters like O/Q and bowls in B/P/R feel squared-off in their curvature, reinforcing a constructed, sign-like look. Overall spacing and color are dense, emphasizing impact over delicacy.