Sans Faceted Afpy 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Hype Vol 1' by Positype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team apparel, packaging, athletic, industrial, authoritative, retro, impact, compactness, ruggedness, signage, octagonal, condensed, blocky, chamfered, monoline.
This typeface is built from solid, blocky strokes with crisp chamfered corners that replace most curves with planar facets. Counters are compact and largely rectangular or octagonal, and the overall construction feels monoline, favoring uniform stroke weight over modulation. Proportions are condensed with tall verticals and short horizontals, giving the alphabet a tight, stacked rhythm in text. Distinct angled terminals and clipped joins create a consistent, engineered silhouette across caps, lowercase, and numerals.
It performs best in short, high-impact settings such as headlines, poster titling, sports branding, and bold packaging callouts. The condensed build helps fit long words into narrow spaces while keeping a strong presence, making it suitable for badges, labels, and event graphics. In longer text it creates a heavy, attention-grabbing color, so it’s most effective when used sparingly for emphasis.
The faceted geometry and heavy, compact forms project a confident, no-nonsense tone. It reads as sporty and utilitarian, with a vintage scoreboard or varsity flavor that still feels modern due to its clean, hard-edged execution. The texture in paragraphs is dark and assertive, emphasizing impact over delicacy.
The design intention appears to be a tough, condensed display sans that substitutes curves with consistent faceting to achieve a rugged, machined look. By keeping stroke weight uniform and silhouettes tightly controlled, it prioritizes instant recognition and strong typographic voice in branding and promotional applications.
Diagonal elements are handled as sharp wedges rather than smooth diagonals, and rounded letters (like O/C) resolve into multi-sided shapes that maintain the same corner language. Numerals match the uppercase’s assertive presence, making the set feel cohesive for alphanumeric-heavy layouts. Spacing appears tuned for dense headlines, with tight interior shapes that hold together at large sizes.