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Sans Superellipse Oglem 11 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Neusa Neu' by Inhouse Type, 'Refinery' by Kimmy Design, and 'Fishmonger' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, techy, industrial, sporty, futuristic, sturdy, display impact, technical voice, modern branding, compact density, rounded, squared, blocky, compact, geometric.


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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are uniform and monolinear, with broad, squared terminals and a tightly controlled, engineered rhythm. Counters tend toward squarish bowls and small apertures, giving letters a dense, efficient footprint; curves are treated as superelliptic arcs rather than true circles. The lowercase shows simple, sturdy forms with minimal modulation, while figures are wide and stable with squared interior shapes and consistent stroke weight.

Works best for short, high-contrast applications such as headlines, poster typography, product packaging, and brand marks where its compact mass and rounded-rect geometry can read as intentional. It also fits signage and UI-style labels when a tough, technical voice is desired, especially in all-caps or mixed-case display settings.

The overall tone feels utilitarian and contemporary, with a streamlined, machine-made character. Its rounded corners keep the weight from feeling harsh, but the compact geometry still reads assertive and high-impact. The vibe suggests performance gear, UI instrumentation, and modern industrial branding rather than editorial warmth.

Likely intended as a modern display sans that merges industrial sturdiness with friendly rounding. The consistent monoline weight and superelliptic forms point to a design goal of creating a strong, contemporary silhouette that stays clean and controlled in bold settings.

The design leans on squarish bowls (notably in C/G/O/Q and 0/8/9) and short, firm joins, which helps maintain clarity at display sizes. The dense counters and compact spacing can build a strong texture in paragraphs, but it visually shines most when given room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸