Sans Superellipse Fymug 7 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Gltp Starion' by Glowtype; 'Murs Gothic' by Kobuzan; 'Latino Gothic' by Latinotype; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Boxley' by Shinntype (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logos, packaging, sporty, assertive, techy, modern, energetic, impact, motion, modern branding, performance, slanted, compact apertures, rounded corners, tall ascenders, high impact.
A heavy, right-slanted sans with broad proportions and rounded-rectangle construction in the bowls and counters. Strokes are largely monolinear with gently eased corners, producing a smooth, aerodynamic silhouette rather than sharp, chiseled joins. Letterforms feel compact in their apertures and counters (notably in C, S, and e), while verticals and diagonals stay sturdy and stable. The lowercase shows tall ascenders and a single-storey a, with a consistently forward-leaning rhythm that keeps word shapes cohesive at display sizes. Numerals are equally robust, with rounded terminals and a slightly compressed, engineered look.
This font suits branding and display applications that need a bold, kinetic voice—team identities, fitness and motorsport graphics, gaming or esports visuals, punchy headlines, and promotional posters. It will also work well for product packaging or labels where a compact, high-impact italic can hold attention and convey speed.
The overall tone is fast, confident, and contemporary—more “performance” than “editorial.” The italic slant and dense weight give it urgency and momentum, suggesting sport, gaming, or industrial branding where impact and motion are desirable.
The design appears intended to deliver a streamlined, high-impact italic sans that feels engineered and modern, using rounded-rectangle forms and sturdy strokes to stay readable while projecting motion and power. Its consistent slant and dense construction prioritize strong word shapes for display-oriented typography.
Round forms lean toward superelliptical geometry, especially in O/Q and the bowls of b/d/p, which read as rounded rectangles rather than perfect circles. The bold mass and tight internal spaces favor larger sizes and short bursts of text, where the strong silhouettes and consistent slant are most legible.